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Are Pictures Preferred Because They Can’t Talk Back To You?

Do you all realize what has happened?

Photos, films and still life displays are being favored over the living, breathing human individuals themselves.

These captured moments in time – immortalized forever – reminding us of the “good old days” when everyone could actually work and function together for a more just and historically accurate education, one that represented us all.  These frozen and professionally edited images take us back to a nostalgic time, back to when we once respected each other, when we once felt safe around one another, back to when we once trusted each other.

We go back and reminisce because currently those sentiments no longer exist.

In the Tucson Ethnic Studies community in the year 2013 that is gone now.
And rather than work hard and attentively to regain back what has been lost with honesty, humility, dignity and a sense of moral values we cling on to physical objects that allow us an escapist type sense of comfort; looking to the past, obsessing with the past, fetishizing the past.

As if the present and future growth of this community is no longer important.

I don’t want to be part of any movement that uses disillusionment as a coping mechanism to unacknowledged and unresolved forms of gender violence.

What a waste of energy that must be, to uphold a glossy paper and roll of film movement – a voiceless shadow movement toured around the country rather than upholding the actual local community base itself that is absolutely hurting right now.

That is not building, that’s just showcasing to unaware spectators all of our faces that are no longer present, our mouths that are no longer open, and our eyes that no longer see truth.

 
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Posted by on June 11, 2013 in Chicano Movement, Tucson movement

 

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Welcome to Xicanisma

Bloggers at the Three Sonorans have, again, pointed fingers of accusation at Chicanas of Tucson. It seems that we (and a few men) are responsible for divisiveness within the community, for accusing rapists and misogynists of their crimes, for calling out the men and women of the Chican@ community for their hypocrisy and machismo and for demanding that Precious Knowledge be abandoned as a source of financial support by Save Ethnic Studies because a victim of crime directly involved with the film asked that it be so. And this is a bad thing?

Underlying the blogger’s concerns over a current issue involving copyrights, profiting and local artists is a broiling anger towards Chicanas who insist upon speaking about the inequities and injustices that they have experienced from within the community movement. And again, the blogger persists in attacking the accusers rather than naming the crimes and acknowledging that these problems exist. We do not pretend to know his motivations, and they don’t really matter. What is relevant is that he continues to imply that a woman’s concerns are not valid unless they have been legitimated by the community and, in this case, the men of the community.  The blogger points his angry finger at Chicana feminists as the problem, though he willingly admitted in a recent post that he knows little about feminism.

Contrary to what Three Sonorans suggests, leaving the Chicano movement behind is not a tenant of Chicana feminism (aka Xicanisma). Xicanisma, as both an academic discipline and way of life, did not originate because Chicanas were so enamored with “White” feminism that we decided to create the “Brown” version. Nor are we so feeble-minded that we cannot think for ourselves and our communities. Our studies are grounded in the commitment to our communities, our ancestors, and our children. Our actions are rooted in the knowledge that real progress does not occur unless and until the needs and concerns of all members of a community are addressed.

Believe it or not, Xicanisma developed as a response to the persisting efforts of academics and activists of all colors–including White feminists– to keep us silent.  Chicanas—and all women of “Latina” heritage– continue to encounter these efforts to silence. It is nothing new to us, our mothers and grandmothers often prepare us for it, so we know from the time we are small this is something we have to face. We also know that if we are going to ever change anything, we have to continue to fight those efforts, even when they are coming from within our own communities.

The bloggers at Three Sonorans would do well to brush up on Xicanisma before further attacking it and the men and women who support it. They may be surprised to learn that it too draws upon Indigenous knowledge to promote equity and justice for men and women. We know that our Nahua traditions do not just speak of Quetzalcoatl but of our female energies too, such as Xochitl, Coatlicue, and Tonantzin. We know that our ancestors sought the counsel of the women before war. We know that women were speakers, leaders, healers, and artists. We know that there was a time when men and women honored one another and stood up for that. We work to live those traditions and teach them to our children. And try as they might, no one will silence us in those efforts.

A suggested reading list for Three Sonorans for an introduction to Xicanisma—we’ve thrown in some Indigenous knowledge too for good measure. (Note that writings by these authors too contain precious knowledge): Gloria Anzaldua, Ana Castillo, Cherrie Moraga, Emma Perez, Antonia Castañeda, Chela Sandoval, Alma Garcia, Sandra Cisneros, Michelle Seros, Aida Hurtado, Gabriela Arrendondo, Sonia Saldivar-Hull, Alicia Garcia del Gaspar, Norma Alarcon, Tey Diana Rebolledo, Vicki Ruiz, Carla Trujillo, Andrea Smith, Paula Gunn Allen, Leslie Marmon Silko, Wilma Mankiller.

 
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Posted by on June 10, 2013 in Chicano Movement, Tucson movement

 

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“Why are you so angry?”

How about —

why do you try to hold my anger above me, as if it strips me of any credibility? why do you have to dangle my unhappiness in front of me?

I’ve become the most ultimately unamerican I can be — I’m an unhappy brown girl caught in a white man’s world.

I’m pretty sure if you grew up being stared at or called a sandn***er you wouldn’t be too thrilled either. If you had to wonder whether or not your masjid was going to be shot up or if your mother was going to get cussed out at the grocery store you wouldn’t be so carefree.

My anger isn’t a sign that I’m weak and that my opponents control me. My anger reminds me I’m alive and I’m still here.

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Posted by on May 29, 2013 in Her stories

 

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Attn: Voices Needed

Voices Needed
Because that one time at the bar you felt it was okay to go up my skirt with your hand
Because my drink made me sloppy drunk with a few sips
AND you took advantage
Voices Needed
Because community peeps for ‘social justice’ feel that it’s okay to support a rapist instead of their semillas
Because that movie tells ‘our’ story ‘so beautifully’
AND semillas need sunlight to grow… NOT… shade…
Voices Needed
Because young girls can get raped because they ‘drank too much’, ‘wore that dress’ and ‘were looking for action’
Because those beautiful wombyn find ways to stop their breath
AND they need to keep on…going….
Voices Needed
Because sexism, misogyny, and patriarchy are ‘not a big deal’ and make us ‘lose focus’
Because movements need to keep moving and ‘your shit is a roadblock’;  ‘you’re a manhater’
AND we raise and love men
Voices Needed
Because our stories continue to be questioned
Because we are told, ‘Police report please’ and ‘be consistent with your story’
AND our traumas, our fears are carried so deep inside us nothing… comes… out
Voices Needed
Because I can go on and on with these stories
Because you think you know who wrote this yet it is not who you think because these stories. feelings. are common…
AND they need to be STOPPED. SUPPORTED.
KEEP USING YOUR VOICES.
WE HEAR YOU!
 
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Posted by on May 21, 2013 in Her stories

 

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Image

Women in Detention

Women in Detention

by Shloka Ettna

 
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Posted by on May 10, 2013 in Her stories

 

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NO, COMPA, NO TE DOY MIS OJOS

“-Qué quieres, amor?

-Lo quiero TODO

-Pues te doy mis ojos”

(…) Entonces, con tu mano izquierda , sí , la misma que empuñas mientras  proclamas la revolución y  repites discursos que yo misma he escrito, INTENTAS TOCARME.

NO, compa.  Mi cuerpo no será sometido a tu deseo en sumiso sacrificio a la lucha. No, no lo sigas intentando, ya te he dicho que NO. Lucharé por la liberación primeramente liberándome de tus caricias forzadas. Mi boca serán consignas que gritarán ideas entre versos que escupen tus besos robados. Mi nariz disfrutará el aroma de la sexualidad consentida y el goce de la hermosa  resistencia. Mi piel sentirá el ardor de mi propia deseo, mientras que mis dedos le dan ritmo y  forma a un placer que se emancipa de tu liderazgo pre-fabricado que esconde macharraneria ¿de izquierda?

NO, compa, no me reducirás a un cuerpo porque he hecho mío el poder de reclamar mi  forma. NO, compa, escúchame, NO. Ya no silenciarás mi IDEARrio porque mi voz encuentra eco en el de las jornaleras, las estudiantes, las boricuas, las dominicanas ,las chicanas,  las chingonas, las (de)colonizadas, las indocumentadas, las silenciadas, las compañeras, las camaradas que HOY TE VENGAN. O  nunca te has preguntado por qué tanto rojo? Si el rojo nació en nuestro vientre.

No, compa, no te doy mis ojos.

 
 
 
 
 
 
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Posted by on May 9, 2013 in Uncategorized

 

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Rest In Peace

Rest in peace.

Past midnight when the sun is no where in sight
There lies the struggle to maintain the fight
Don’t give in don’t stop the try
Tears turn dry I can’t cry I won’t cry
Trying constantly to paint rainbows in the sky
Ghetto streets turn dry as blood spills in endless crime
I can try to paint the rainbows but the ghetto vibes will turn it dry & they will just cry

 
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Posted by on May 8, 2013 in Her stories

 

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